|Many of the fellow students at the Aegean Center|
It a funny thing being afraid of shadows. The one that follows you around, scaring you at corners, sneaking up behind your back, is erm, w...
Dealing with being thrown out of my brother's home. I return, after being away with John, to my parents like flies at the front door. ...
Last Saturday I went on a walk with a group of friends from Active Paros - it is such a great way to enjoy life, walking in nature, meeting...
Tuesday, 9 April 2013
Breaking through limits into the beauty of the unknown
John Pack at the Aegean Center, the art school where I have been welcomed as lovingly as I could have imagined in my wildest dreams, says “Create yourself a limit and it’s yours”. Pushing through, opening the door to a new place is difficult regardless of the task at hand. But, what I see around me are brave creative souls pushing through, limit after limit...for what is on the other side?
Art to me seems to be a path into ourselves, into greater consciousness. But what does that mean? One analogy is the ability of our heart to hear. As we step along the path our hearts open up to more and more subtle sounds, discovering worlds that were previously deaf to our ears.
The singers experience this directly in the ensemble with Orpheus. I remember a conversation with my mother after the first class “It’s really fun Mum, you can pretend you are an opera singer and in public! You HAVE to pretend, it’s like a serious game. I love it!”...and that was it. As I began to sing out operatically, I felt like I had pushed past the barrier of feeling like a prize idiot, warbling out notes, to be able to sing seriously in a choir. End of hard work, bring on the pleasure! I was pleased I was in tune and singing more or less at the same point as everyone else. Quite successful I deemed myself. But then, the ear jumps on a little bit...and suddenly I hear breathiness in that warble, that indeed there is a warble and that the vowels are coming out warped by my broad northern accent. I hit the despondency key, a minor third, and worry if I am simply not in the right place, or the right class. But I keep going and slowly pick up confidence again to sing out. Ohh how glorious to be weaving sounds! But almost as soon I am back into imagining big audiences, that little bugger of an ear jumps on ahead putting into painful display that I don’t have resonance, that my throat doesn’t know what open at the back means, nor how to push air into my nose cavity or sinuous. Head voice, what? Too bedazzled to even tackle the idea of vibrato, I still somehow forget to remember to breathe. And so it goes on, through perilous peaks and fertile valleys.
The safe conclusion would seem that, being on a path, any path, and especially the artistic path, one is never in their comfort zone for very long. It takes discipline just to keep going and to concentrate, instead of collapsing on the floor in your favourite type of fit, blaming the world for being unfair.
Sometimes in the choir it feels scary, and more so when you have to sing alone. Sometimes it is just downright frog throat embarrassing. I often have attacks of feeling simply ridiculous. But somehow I get the musical backpack on again, and again, and again, each time starting anew. And curiously through this process I am learning to sing! I am finding my own voice. I come out, having sang with others, feeling loved and loving, feeling high. As I deconstruct my ego fear of the unknown, I have another thin veil lifted, so I can see myself a little clearer, it is a mini re-velation (re-veil-ation). Consciousness is not only the heart hearing, but also the mind seeing.
What I really admire of the people around me here in the Aegean Centre if that they are prepared to go through these unveiling limits into the new unknown. I see it in their eyes when Jane or Jun hold up their work as an example for others to see: it is exposure, it is uncomfortable and it is scary. In each piece, each person is expressing their real selves to the world, and it feels as if the light of attention would burn us alive naked without our blanket fears to protect us - and yet on the other side of that woolly limit we keep discovering that nothing happens at all: we are not rejected, but instead feel closer to the others, nor do people snigger at our lob-sided proportions, but are supportive...They know too well how we feel and that underlying a botched up expression are shifts and changes within helping us along the path to Beauty. Each class we discover that our drawings parallel how we are learning to see more consciously, when marvellously, magically, we are taught to allow our inner figures, once dull and flat, to dance into new dimensions onto the pages of life.
The same fear knocks about in the writing class. Unusual it is for someone to read without a slight quiver to their voice, a shaky hand, or having to repeat bumbled lines. It is really scary, especially the first couple of times, where one feels like throwing down the paper and collapsing into the rapidly forming pool of sweat beneath one’s chair, or screaming out “Fire! Fire!” and jumping out through the window. But thankfully, one does not. One continues through the torture, only to realise that the discipline of getting to the other side brings a deep sense of satisfaction.
On one public reading there was a girl who didn’t want to read, but Jeffery announced her to the public, unbeknownst to her, no prior warning. As she dazed to a stand her work was shoved into her hand. Crikey! I can imagine how she felt, the energy for holding her legs up disappearing into thin air, eyes unable to grasp that simple idea of focus, hands suddenly forgetting how to hold onto paper thin dimensions and the mind simply collapsing into autopilot, blindly flying through a war zone as all on board have fainted under the pressure. But did she scream and shout at Jeffery afterwards, accusing him of being a psychological criminal? No, she did not. She thanked him. He had pushed her through to greater self confidence, because she experienced in her body (she in-corporated) the fact that her fears were not real, that actually nothing had happened at all: she didn’t die, or faint, or collapse, she read her work, people liked it, and everyone moved on.
I think everyone can relate to feeling uncomfortable expressing their true selves. I was brought up in a family where farty is the adjective for arty, and where collage is something kiddies do in primary school to fill in time before they are able to do proper studies like maths. It has been difficult to fully believe my own belief that art is useful, but harder is the idea that I will not be shot down by some World War II fighter plane for enjoying myself. Somehow it feels like a crime to allow myself to become more who I really am. I struggle through this limit, wondering about bills, my waist line and raining bullets, and yet, nothing dire happens at all. Quite the contrary in fact: it is me firing up, exploding with excitement, and I find that instead of bullets raining down, work comes in.
My right brain is so thankful that after years of being tied up in the dark, damp dungeon of my mind, it is being given fresh air, it is allowed to go out to play...class after class, singing, writing, drawing. This intuitive, random, holistic hemisphere is being asked to take over, something that she has been ready to do for years, waiting for the day she can shine. As I continue through the exhaustion of dealing with the constant new, class after wonderful class, each little step is adding up. I can feel a shift in my brain, I am seeing a little more of this wonderful world that we live in, as new ideas greet me changing my inner landscape. I feel something in the world within me that I have never met before and yet feels like an age-old friend: I am contacting with my own creativity. It breathes a sigh of relief as I breathe a sigh of deep gratitude to the Aegean Centre. I am sure I cannot be an exception to the rule. Feeling the others as they walk along their paths beside mine fills me with confidence that after exposing my inner world not only to them, but to (fear of fears!) to myself, I will not burn in the flames of chaos, but instead will come closer to a deeper understanding of who, and more importantly what, we are. Each class, each step takes us a little closer. Stepping through limits into a new open space, we begin to feel more confident expressing ourselves, motivated onwards by the joy of creating...until of course our ears open a little more, our eyes see wider horizons or our pens dig to previously un-delved depths, throwing us back into that un-comfort zone, into that red rawness that gradually, our brave creative souls, get more and more used to rising through.